Nathan is a trained Phantom Technician (AbelCine Trained Phantom Technicians) as well as an active member of the Camera Department.

His most recent Phantom work includes Phantom Technician with the Flex 4K for the upcoming Netflix show Raising Dion as well as a new mini-doc series by Turner/CNN about Honeybees. Nathan has worked with the Phantom in many different environments such as an active blacksmith’s shop, hyrdrascope, waterfalls and rain, and bee hives just to name a few.

He has selected a few of his favorite project below for your reference. For a complete list of Phantom credits please see the bottom of this page. Production company links are click-able.


Phantom Technician, 1st Assistant Camera - Flex 4K | Commercial - Suncast | Retro 8 Films


Phantom Technician - Miro 320S | Corporate - TD Wealth | Fisher Gray Collective


Phantom Technician/Operator, Gaffer - Flex 4K | Corporate - Intel | Fisher Gray Collective


Phantom Technician - Miro 320S | Music Video (Award Show Performance), Chris Tomlin “Waterfall” | Retro 8 Films


All Phantom credits:

  • Phantom Technician/Operator - Flex 4K, Television - Invesco (Courageous Studios/CNN) — 2019

  • Phantom Technician - Flex 4K, Netflix - Raising Dion, Season 1 — 2018

  • Phantom Technician/1st Assistant Camera - Flex 4K, Commercial - Suncast (Retro 8 Films)  — 2015

  • Phantom Technician/Operator, Gaffer - Flex 4K, Corporate - Intel (Fisher Gray Collective) - 2015

  • Phantom Technician - Miro 320S, Music Video - Chris Tomlin “Waterfall” (Perfomance Playback) (Retro 8 Films) — 2014

  • Phantom Technician - Miro 320S, Commercial - TD Wealth (Fisher Gray Collective) — 2013

  • Phantom Technician - Miro 320S, Commercial - TaylorMade Golf (Remedy Films) — 2013

Phantom-4k-Flex-(2)_0.jpg

"Designed for the cinematographer, the Phantom Flex4K is a high-speed camera providing exceptional flexibility with its frame rate capabilities and by adapting to different shooting styles. The super-35mm 4K sensor provides sharp, detailed images with extremely low noise and high dynamic range. The Flex4K is capable of shooting from 15 frames-per-second (fps) up to 1,000 fps at 4K, and almost 2,000 fps at 2K/1080p.

The camera lets you customize the workflow that makes sense for your production. The Cine raw format ensures the fastest high-speed capture on set and maximum quality and versatility for post-production. Alternatively, choose Apple ProRes 422 HQ to improve download time, hard drive space and simplify the workflow, while maintaining excellent image quality.

The full-featured on-camera control interface eliminates the need to connect to a computer on set. All camera parameters can be set from the built in menu on the right side of the camera body, and basic controls can be found on both sides.

-Vision Research (Manufacturer of Phantom cameras)